#How to watch dear zindagi full movie how to
#How to watch dear zindagi full movie movie

#How to watch dear zindagi full movie movie

In other words, she gives the impression she’s winging it, which makes even the most ordinary scenes she’s in terribly exciting.ĭear Zindagi releases in theatres on Friday.With her movie choices off lately, Alia Bhatt has proved that she is an impeccable actor and in a very short span has made it to the top in Bollywood. Bhatt has a rare ability to make the emotional decisions of her characters look as if they spontaneously occurred to her. Shah Rukh Khan bears down with starry charm on the role of Jug, but his mountaineer anecdote just can’t compare with his co-star talking about herself in disguised third person earlier in the scene.

As always, it’s the little choices she makes within scenes-fiddling with the furniture, twitching her lip-that render her such a compelling actor. And some of the choices are just plain silly, like the character who says “Lebanese' when he means “lesbian', or the scene in which Kaira, angry with Raghu, breaks bottles of ragu.Īmid all this, Bhatt thrives. Shinde tries a couple of new-Bollywood tricks-interrupting songs with short scenes, for instance-but there’s little to quicken the pulse, let alone set it racing. Dear Zindagi has one such explosion, but it’s awkwardly written and exists more as an excuse for Alia to be able to do a big shout-y scene. A relevant point of comparison might be Kapoor & Sons -another Dharma production about family secrets, one which didn’t allow its picturesque setting or devastatingly pretty cast get in the way of ugly confrontation. Laxman Utekar’s cinematography is glossy and impersonal, Amit Trivedi’s music inoffensive and over-used.Īt times, I found myself wishing the film would flail about more. Goa looks as pretty and boring as a picture postcard. There’s a token gay character, whose only significant scene seems to exist to show how chill Kaira is.

#How to watch dear zindagi full movie how to

I can understand the urge to present Kaira-a cinematographer at the start of her career-as more than competent, but having her advise a director on how to reshoot his final scene, and his actually welcoming the suggestion is so far-fetched it’s almost science fiction. It’s almost as if the film’s inviting judgement when Jug asks Kaira about her boyfriends, she immediately snaps, accusing him of mentally slut-shaming her (Khan’s pained reaction is one of his best moments in the film).ĭespite a few nicely worked-out traumas, there isn’t much that disturbs Dear Zindagi’s placid surface. It’s not often you see a sexually liberated, commitment-phobic, parent-averse female character in a Hindi film. Freeing herself of both relationships, she heads to Goa and gets tangled up in equally fraught tug-of-war with her overly concerned parents.

In the film’s opening stretch, which unfolds in Mumbai, we find out that Kaira’s cheating on her boyfriend, Sid (Angad Bedi), with a colleague, Raghu (Kunal Kapoor), who loves her but whom she keeps at arm’s length. It’s a small blow, but the thousands of people seeking psychiatric help across India will probably be grateful for a film that articulates these very basic truths.ĭear Zindagi takes its time depositing its protagonist on the couch. In a more heated moment, she asks her family why it’s acceptable to say that you’re visiting a doctor but not a mental health specialist. Over Skype, she tells her worried house help to think of Jug as a dimaag ka doctor, one you can tell your problems to. Kaira isn’t seeking help because she’s depressed or is hearing voices-she’s just having trouble sleeping. One of the heartening things about Gauri Shinde’s film-her second after the well-received English Vinglish in 2012-is its insistence that seeing a shrink isn’t something out of the ordinary.